
Reinickendorf Studio 2023
Blue Hydra 2022
115 x 80 cm
acrylic,ink, potted blue orchid and black pepples
on canvas and wooden shelf
photo: Joe Clark
Bryter Later 2022
115 x 80 cm
acrylic,ink, and Flashe on canvas
photo: Joe Clark

Butter Cup 2022
100 x 95 cm
acrylic and Flashe on canvas
photo: Joe Clark
Seance: The Book of M 2022
115 x 80 cm
acrylic,ink, and Flashe with candle, clay,
live moss, pot and black
pebbles on wooden shelf on canvas
photo: Joe Clark
Kiss of the Spider Womxn 2022
140 x 138 cm
acrylic,ink, and Flashe
on velvet and canvas
photo: Joe Clark
My current series of paintings are meandering, a hard group and a soft group that overlap in attitudes and lines of inquiry, but with differing ancestry.
I love funny questions like “What is painting good for?” as they are fertile grounds for much of my creative activity.
Visual art has so many jobs to do, hence my need for multiple dialogs, series, and lines of inquiry.
When working with stretched canvases I begin with primed canvases, and combine traditional painting conventions with non-standard objects such as live plants, chintzy fabrics, duct tape, drawings on paper, plastic containers, cardboard, burning candles, non objective marks, and drawings of monsters and animals.

Fließen Fliehen Halten (Flee Flow Hold ) 2021
150 x 95 cm
acrylic and ink on linen(double sided)
Erhalten (Receive) 2021
150 x 95 cm
acrylic and ink on linen(double sided)
In this softer ongoing vein of loose paintings, I work double-sided images into raw unstretched linens, dabbing and doodling with water-based graffiti markers, spray paint, and pigments that tend to bleed through to the images on the reverse sides. These can be experienced picture by picture, or together, like a giant graphic novel.